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by Tristan de Dessindigo

Mistakes for Beginner Painters to Avoid

Mistakes for Beginner Painters to Avoid

Beginner painters are often very enthusiastic. You want to express ideas, emotions, test out colors, and watch an image appear before your eyes. However, starting out can also be frustrating. You compare, doubt, start over, and sometimes give up too quickly.

The truth is that most of the difficulties encountered when starting to paint do not stem from a lack of talent, but from typical and perfectly normal mistakes.

In this article, we're going to look at the 7 most common mistakes made by beginner painters and, most importantly, how to easily avoid them.


Wanting to create a perfect painting from the start

It's probably the most common mistake. We envision a finished, detailed, balanced painting... and we want to get it right the first time. Result: we put unnecessary pressure on ourselves.

Painting is a gradual learning process. The early attempts are all about understanding the materials, the brushes, mixing, drying, and light. Seeking perfection too soon can hinder movement and slow progress.

Things to do instead:

• Treat each painting as an exercise

• Accept imperfections

• Prioritize experimentation over performance


Neglecting the preparatory drawing

Many beginners think that painting will "correct" an inaccurate drawing. In reality, a weak foundation makes adding color more difficult. Rough proportions or a poorly thought-out composition become even more apparent once the paint is applied.

Even a simple, light, structured sketch completely changes the final result.

Key points:

A good drawing facilitates a good painting.

Using too many colors when starting to paint

At first, we want to use the entire palette. The more colors there are, the more complex the mix becomes. Shades neutralize each other, becoming dull or muddy. Experienced artists often work with limited palettes. This creates more harmony and simplifies choices.

Tip:

Start with 3 to 5 main colors and learn to mix them. Fewer colors = more consistency.


Overworking an area

We apply a color, then we touch up. Then again. Then we correct. And we end up losing the initial freshness. Whether it's in acrylic, oil, or watercolor, overworking removes the spontaneity and can muddy the colors. Knowing when to stop is a real skill.

Simple advice: 

Take a regular step back. Look at your painting from a distance. Often, it works better than we think.


Forgetting the values (light / medium / dark)

Beginners often focus a lot on color... but the structure of a painting primarily relies on values. A painting can work with only a few colors if the contrasts are right. Conversely, a painting rich in colors but poor in contrasts appears flat.

Before even thinking about "color", think:

• Where is my lightest area?

• Where is my darkest area?

• Where is the focal point?

Values create depth and guide the viewer's eye.


Choosing an overly complex subject to paint

A detailed portrait, a landscape full of elements, a complex urban scene... When starting out, technical difficulty can become discouraging. Starting with simple subjects does not mean doing "less well". It means learning the basics in good conditions.

A single object, a flower, a cup, a simple silhouette allows you to work on:

• light, 

• shadows, 

• volume, 

• transitions. 

Simplicity accelerates learning.


Constantly comparing oneself

Today, social media showcases very sophisticated artworks. It is easy to feel behind. But comparing your beginner level to that of an experienced artist is unfair... and pointless. Every painter has gone through a learning phase. Progress comes not from comparison, but from regular practice.

Replace the question "Is it as good as..." with:

"Did I learn anything today?"

Some advice for making smoother progress

Beyond the mistakes to avoid, here are some simple habits that make a difference:

• Paint regularly, even small studies.

• Test different brushes and surfaces.

• Photograph your work to observe progress. 

• Accept that a failed painting is a useful step.

• Take pleasure in the process, not just in the result.


Conclusion

Learning to paint is an adventure. Mistakes are part of the journey, but being aware of them enables you to progress faster and with less frustration. Remember that painting is not a race to perfection. It's a dialogue between you, the material, and the light.

Learn to observe, simplify, and stop at the right moment. And above all, keep going. It's consistency, more than talent, that makes an artist.

Writer and illustrator: Sacha Fatticcioni