For this exercise, I kept it really simple (no shading and just a bit of perspective). I wanted to focus more on the different possible compositions. đ
Your exercise is very good, simple and effective, as they say.
You still tend to center your compositions a lot. And your very last one isnât quite right from a perspective point of view (unless your houses are on slopes).
But you understood the principle, and you varied the viewpoints quite a bit.
Ton exercice est trĂšs bien, simple et efficace comme on dit ^^
Tu as quand mĂȘme tendance Ă beaucoup centrer tes compos. Et ta toute derniĂšre n'est pas correcte d'un point de vue perspective (Ă moins que tes maisons soient sur des pentes ^^).
Hi, I recently joined the courses and Iâm very happy with them. Hereâs my work on this exercise, thank you in advance for any feedback.
Do you have any recommendations for renowned illustrators known for their work on North American landscapes? Iâd like to try illustrating some scenes from a book by Ken Casey that I recently read, which takes place with lumberjacks in Oregon. Thanks, and I look forward to hearing from you soon.
Personally, this isnât the type of landscape that appeals to me the most, so I donât have many references in this area. I can point you towards concept artists for games or animated films set in this kind of environment, such as Red Dead Redemption or Brother Bear, or Spirit: Stallion of the Cimarron.
By doing some research using keywords like âconcept art,â âbackground,â or âlandscape,â you might come across things like this:
Itâs only been a week since I started the course, and Iâm so happy to finally be able to learn how to draw. I have no prior knowledge of drawing, so here is my first submission. I tried to imagine a story based on the treehouse and the silhouette, following your advice. Do you understand what itâs supposed to be? Neither my son nor my husband understood the exact meaning of what I was trying to depict. There are certainly many mistakes, like the width of the road at the top of the mountain on the left; in retrospect, it should have been narrower, I think. Iâm having a lot of trouble controlling my lines; my hand is shaky. Iâm practicing by drawing lines and ovals, applying more or less pressure. Itâs difficult to keep a steady hand. Itâs a pleasure to watch your videos, which are very clear, and itâs fantastic to already see, after just one week, my little drawings, which are not pretentious at all, but at least now my houses look more like houses than the ones I used to draw on the board for my students. Thatâs one of the reasons Iâm taking this course: to be able to represent a simple object, animal, or character in a drawing for my students, most of whom donât speak French. I havenât added shading to my lines yet; that will be my next challenge. In short, Iâm very happy with my subscription and completely satisfied with my purchase, thank you!
Your composition is great. I understand that there is a character who clearly wants to get to the house hidden behind the mountains by following the road.
Indeed, there are some scale issues (like the size of the house compared to the hills/mountains, for example). But regarding the subject of the exercise, I think you understood the composition well.
Your drawing is balanced and tells a story; you immediately see the house in the center, then the man pointing to the road, and his companions who are wondering. I think the line of clouds (?) was not necessary, however. It confines your drawing a bit :)
As for the tremors, I know it well; I used to tremble a lot for years, but it doesnât stop you from drawing :D It just takes more time and requires better control to achieve the same result as others. It will force you to learn how to draw your lines exactly as you want them in one go (and thatâs a great advantage :D).
Hello Rakjaj, thank you for your advice, which I was already aware of. Iâm working on it again and will repost it when Iâm ready, along with the rest of the videos.
Iâm replying on behalf of Greg, who is on vacation ^^
Itâs a bit difficult for me to understand everything. Some elements are very clear: the house, the pointed trees, and others that I donât understand at all. The things that look like locks (?) in your first image and the right side in the second. It looks like a door, but just on a cube and not in the same perspective as the rest?
I think youâre trying to include too many elements. Keep it simple to start with :3
Iâm sure you can create a nice, clear, and easy-to-read image if you use fewer elements :)
Hello, I tried your exercise and pushed myself as much as possible (maybe too much). I really want to improve in terms of backgrounds and composition (so that I can work on a manga/comic book project in a few years). I'm warning you in advance that you said we weren't required to be neat with these exercises (haha). It's far from perfect, but I want to know if it "works." The perspective isn't perfect because I didn't always draw a horizon line with a vanishing point. Do you think it's necessary? If so, I'll make sure to do it! Haha. Thank you for your valuable advice in your videos; you're doing a great job, and I can't wait for your manga course to be released so I can buy it right away!!!!!!!
I had a little more trouble understanding the last two. But the first two are really great.
If you want to create manga and comic book panels, I think I could help you quite a bit. ^^
In answer to your question: with time and practice, you may no longer need to draw a horizon line and draw your lines in a rather rigid way for certain backgrounds. But it still remains important when you start working on a more elaborate background, so it really depends on the situation. ^^ It's like with everything else; at first, you need to build everything, do a lot of sketches, and then with time and experience, you don't need as many guidelines, or you may not even need sketches to create something good. :)
In any case, I approve of your exercise! âïž
Ohhh en voilĂ de jolies compo â„
J'ai eu plus de mal Ă comprendre les deux derniĂšres. Mais les deux premiĂšres sont super bien.
Si tu souhaites faire du manga et des planches de BD, je pourrais te guider pas mal je pense ^^
- D'accord, pour l'instant je me sens pas encore "assez prĂȘt" pour n'utiliser aucun repĂšre mais ça viendra certainement avec beaucoup de pratique :)
I didnât really enjoy this exercise; I have to admit that Iâm not very enthusiastic about drawing landscapes, and I didnât have anything to say either.
I donât think I did this exercise properly because I have to admit that I didnât visualize anything in my head before reproducing it on the drawing.
I just threw the elements onto the paper and tried to create a setting around them.
Iâm not very creative, and I have a lot of difficulty visualizing the drawing in my mind. And even if I have an idea, I donât know how to represent it because I donât master perspective well enough to describe its content.
So, Iâm moving on to the next lesson because this exercise was really a torment for me.
Well, paradoxically, you actually did a great job with this exercise ^^
Your compositions are varied, well-balanced, and consistent :)
This skill will be useful for all your drawings, even those that only feature characters, but you seem to have an intuitive grasp of this, which is a good thing ;p
La composition te servira pour tous tes dessins, mĂȘme ceux avec uniquement des personnages, mais tu as l'air de savoir faire ce genre de maniĂšre intuitive, ce qui est un bon point ;p
This is quite unusual, as you arenât using perspective (well, only isometric perspective), which is a bit different.
Youâre almost in the realm of pattern design. If you look closely, all your compositions are centered (even the one in the bottom right; all your important elements are in the center on the same line).
What youâve done works quite well in itself. Even though the elements are sometimes too close together, even though thereâs a lot of space around them.
Try to vary things more and give your main element some breathing room (donât suffocate it by sticking lots of unnecessary elements around it).
Donât hesitate to introduce some perspective as well and play with the planes.
Here, everything is quite flat. We donât have a foreground or a background.
Try the exercise again with the following elements:
> A house
> A character
> A path
> Mountains
You can add other elements if you wish, of course.
Much like the artist mentioned above, you donât use perspective at all, or rather, you break the rules of perspective.
A typical example: you place a hill in profile, but the house on top of it is only supported by the front edge; the back is in the air, floating in empty space. Or you have the hill and house in profile, but your other elements are floating in the air.
As with the Breton artist, there is no foreground or background; everything is flat and located at approximately the same level.
Therefore, I suggest you try again with different elements if you wish.
> A character
> A house
> A flat ground
> The house or another character in the foreground
> A forest or a mountain
That should help you a bit.
Good luck! :)
Hello Rod !
Un peu comme ta comparse juste au-dessus, tu n'utilises pas du tout la perspective voir tu en brises les rĂšgles.
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07/08/2019
For this exercise, I kept it really simple (no shading and just a bit of perspective). I wanted to focus more on the different possible compositions. đ
Pour cet exercice, j'y suis allĂ©e vraiment simple (pas d'ombrage et un peu de perspective). Je voulais me concentrer davantage sur les diffĂ©rentes composition possible đ
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26/08/2019
Your exercise is very good, simple and effective, as they say.
You still tend to center your compositions a lot. And your very last one isnât quite right from a perspective point of view (unless your houses are on slopes).
But you understood the principle, and you varied the viewpoints quite a bit.
Thatâs good!
Ton exercice est trĂšs bien, simple et efficace comme on dit ^^
Tu as quand mĂȘme tendance Ă beaucoup centrer tes compos. Et ta toute derniĂšre n'est pas correcte d'un point de vue perspective (Ă moins que tes maisons soient sur des pentes ^^).
Mais tu as bien compris le principe, tu as pas mal varié les angles de vue :)
C'est bien !
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14/08/2019
Do you have any recommendations for renowned illustrators known for their work on North American landscapes? Iâd like to try illustrating some scenes from a book by Ken Casey that I recently read, which takes place with lumberjacks in Oregon. Thanks, and I look forward to hearing from you soon.
As-tu des recommandations d'illustrateurs réputés pour leur travail sur les paysages nord-américains ? J'aimerai bien essayer illustrer certaines scÚnes d'un livre de Ken Casey lu récemment, qui se passe avec des bucherons de l'Oregon. Merci, à trÚs vite
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16/08/2019
Your exercise is great; there are some interesting and rather unique viewpoints (somewhat cinematic in style).
For illustrations of North American landscapes, two illustrators immediately come to mind:
> Guarnido: https://www.illustrose.com/affiche-art-deco-blacksad-amarillo-road-juanjo-guarnido.html
>
> Marco Mateu Mestre
Personally, this isnât the type of landscape that appeals to me the most, so I donât have many references in this area. I can point you towards concept artists for games or animated films set in this kind of environment, such as Red Dead Redemption or Brother Bear, or Spirit: Stallion of the Cimarron.
By doing some research using keywords like âconcept art,â âbackground,â or âlandscape,â you might come across things like this:
>> Here is Paul FĂ©lix, who did the sets for Brother Bear: http://unofficialpaulfelix.blogspot.com/2010/08/brother-bear-concept-art.html
>>
>> Here are the concepts for Spirit: https://weheartit.com/entry/74380301
There are probably many more, but Iâll leave it to others to share their references if they have any:D
Ton exercice est cool, il y a des points de vue intéressants, assez atypiques (un peu cinématographiques dans l'esprit).
Pour les illustrations de paysages nord-amĂ©ricain, d'emblĂ©e j'ai deux illustrateurs qui me viennent en tĂȘte :
> Guarnido : https://www.illustrose.com/affiche-art-deco-blacksad-amarillo-road-juanjo-guarnido.html
> Marco Mateu Mestre
Personnellement ce n'est pas le genre de paysages qui me parlent le plus, donc j'ai assez peu de références en la matiÚre. Je peux t'orienter vers des illustrateurs de concept pour des jeux ou des films d'animations se déroulant dans ce genre d'ambiance comme Red Dead Redemption ou FrÚre des Ours, ou Spirit l'étalon des Plaines.
En faisant des petites recherches avec des mots clés comme "concept art" "background" "landscape" tu peux tomber sur des choses de ce genre :
>> Ici Paul Félix qui a fait des décors pour FrÚre des Ours : http://unofficialpaulfelix.blogspot.com/2010/08/brother-bear-concept-art.html
>> Ici les concepts de Spirit : https://weheartit.com/entry/74380301
Il y en a sans doute des tas, mais je laisse le soin à d'autres de te donner leurs références s'ils en ont :D
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16/08/2019
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24/08/2019
Itâs only been a week since I started the course, and Iâm so happy to finally be able to learn how to draw. I have no prior knowledge of drawing, so here is my first submission. I tried to imagine a story based on the treehouse and the silhouette, following your advice. Do you understand what itâs supposed to be? Neither my son nor my husband understood the exact meaning of what I was trying to depict. There are certainly many mistakes, like the width of the road at the top of the mountain on the left; in retrospect, it should have been narrower, I think. Iâm having a lot of trouble controlling my lines; my hand is shaky. Iâm practicing by drawing lines and ovals, applying more or less pressure. Itâs difficult to keep a steady hand. Itâs a pleasure to watch your videos, which are very clear, and itâs fantastic to already see, after just one week, my little drawings, which are not pretentious at all, but at least now my houses look more like houses than the ones I used to draw on the board for my students. Thatâs one of the reasons Iâm taking this course: to be able to represent a simple object, animal, or character in a drawing for my students, most of whom donât speak French. I havenât added shading to my lines yet; that will be my next challenge. In short, Iâm very happy with my subscription and completely satisfied with my purchase, thank you!
Il n'y a qu'une semaine que j'ai commencĂ© la formation quel plaisir d'enfin pouvoir apprendre Ă dessiner. Je n'ai aucune notion en dessin, voici mon premier envoi, j'ai essayĂ© d'imaginer une histoire Ă partir de la maison de l'arbre et de la silhouette en suivant tes conseils, y comprends-tu quelque chose ? car ni mon fils ni mon mari n'ont saisi le sens exact de ce que j'ai voulu reprĂ©senter, il y a certainement bcp d'erreurs comme la largeur de la route en haut de la montagne de gauche, aprĂšs coup elle aurait du ĂȘtre plus Ă©troite, je pense. J'ai bcp de mal Ă assurer mon trait, j'ai la tremblote, je m'entraĂźne en faisant des traits et des ovales en appuyant plus ou moins fort, c'est difficile d'avoir la main ferme C'est un plaisir de suivre tes vidĂ©os qui sont trĂšs claires et c'est fantastique de constater dĂ©jĂ aprĂšs une semaine mes petits dessins sans prĂ©tention aucune mais au moins mnt mes maisons ressemblent plus Ă des maisons que celles que faisais au tableau pour mes Ă©lĂšves, c'est une des raisons pour laquelle je suis cette formation pouvoir reprĂ©senter par un dessin simple un objet animal ou personnages Ă mes Ă©lĂšves dont la plupart ne parlent pas français. Je n'ai pas mis des valeurs Ă mes traits ce sera mon prochain dĂ©fi. Bref, je suis trĂšs contente de mon abonnement et entiĂšrement satisfaite de mon achat, merci !
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26/08/2019
Iâm going to answer on behalf of GrĂ©goire, who is on vacation ^^
Your composition is great. I understand that there is a character who clearly wants to get to the house hidden behind the mountains by following the road.
Indeed, there are some scale issues (like the size of the house compared to the hills/mountains, for example). But regarding the subject of the exercise, I think you understood the composition well.
Your drawing is balanced and tells a story; you immediately see the house in the center, then the man pointing to the road, and his companions who are wondering. I think the line of clouds (?) was not necessary, however. It confines your drawing a bit :)
As for the tremors, I know it well; I used to tremble a lot for years, but it doesnât stop you from drawing :D It just takes more time and requires better control to achieve the same result as others. It will force you to learn how to draw your lines exactly as you want them in one go (and thatâs a great advantage :D).
Keep going, itâs very good!
Je vais répondre à la place de Grégoire qui est en congés ^^
Ta compo est cool. Je comprends qu'il y a un personnage qui veut manifestement se rendre à la maison cachée derriÚre la montagnes en suivant la route.
Effectivement il y a des soucis d'Ă©chelle (comme la taille de la maison par rapport aux collines / montagnes par exemple). Mais concernant le sujet de l'exercice : la composition je trouve que tu as bien compris.
Ton dessin est équilibré et raconte une histoire, on voit tout de suite la maison en plein centre, puis le bonhomme qui désigne la route et ses comparses qui s'interrogent. Je pense que la ligne de nuages (?) n'était pas nécessaire en revanche. Elle enferme un peu ton dessin :)
Pour la tremblotte, je connais bien, j'avais tendance Ă beaucoup trembler pendant des annĂ©es, ça n'empĂȘche pas de dessiner :D Ăa prend juste plus de temps et demande une meilleure maitrise pour arriver au mĂȘme rĂ©sultat que les autres. Ăa va t'obliger Ă savoir tracer tes traits comme tu le souhaites directement du premier coup (et ça c'est un sacrĂ© avantage :D).
Continue, c'est trĂšs bien !
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24/08/2019
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25/08/2019
I started your drawing classes a week ago. Here is my drawing; what do you think of it?
Jâai commencĂ© tes cours de dessin il y a une semaine voici mon dessin quâen pense-tu?
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26/08/2019
Iâm replying on behalf of Greg, who is on vacation ^^
Itâs a bit difficult for me to understand everything. Some elements are very clear: the house, the pointed trees, and others that I donât understand at all. The things that look like locks (?) in your first image and the right side in the second. It looks like a door, but just on a cube and not in the same perspective as the rest?
I think youâre trying to include too many elements. Keep it simple to start with :3
Iâm sure you can create a nice, clear, and easy-to-read image if you use fewer elements :)
Je réponds pour Greg qui est en congés ^^
C'est difficile pour moi de tout comprendre. Il y a des Ă©lĂ©ments trĂšs clairs : la maison, les arbres pointus et d'autres que je ne comprends pas du tout. Les espĂšces de serrures (?) sur ta premiĂšre image et la partie droite sur la seconde. Ăa ressemble Ă une porte mais juste sur un cube et pas dans la mĂȘme perspective que le reste ?
Je pense que tu cherches à mettre trop d'éléments. Reste simple pour commencer :3
Je suis sûr que tu peux me faire une jolie image claire et lisible si tu prends moins d'éléments :)
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26/08/2019
Here are my drafts. Itâs a bit sparse, and I didnât have many good ideas.
In any case, thank you for this course.
Voici mes essais, c'est un peu vide et je n'ai pas eu beaucoup d'idées sympas.
Dans tous les cas merci pour ce cours.
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26/08/2019
I really like the third one in selfie mode XD.
Youâve varied the shots a lot, and you tell little stories each time. For me, itâs all good; youâve grasped the concept :D
J'aime énormément la troisiÚme en mode selfie XD
Tu as beaucoup varié les plan, tu racontes des petites histoires à chaque fois, pour moi c'est tout bon, tu as saisi le principe :D
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25/09/2019
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25/09/2019
I had a little more trouble understanding the last two. But the first two are really great.
If you want to create manga and comic book panels, I think I could help you quite a bit. ^^
In answer to your question: with time and practice, you may no longer need to draw a horizon line and draw your lines in a rather rigid way for certain backgrounds. But it still remains important when you start working on a more elaborate background, so it really depends on the situation. ^^ It's like with everything else; at first, you need to build everything, do a lot of sketches, and then with time and experience, you don't need as many guidelines, or you may not even need sketches to create something good. :)
In any case, I approve of your exercise! âïž
J'ai eu plus de mal Ă comprendre les deux derniĂšres. Mais les deux premiĂšres sont super bien.
Si tu souhaites faire du manga et des planches de BD, je pourrais te guider pas mal je pense ^^
Pour rĂ©pondre Ă ta question : avec le temps et la pratique, tu n'as plus forcĂ©ment besoin de dessiner une ligne d'horizon et de tirer tes lignes de maniĂšre assez scolaire pour certains dĂ©cors. Mais ça reste quand mĂȘme important dĂšs qu'on part sur un dĂ©cor un peu plus important, donc ça dĂ©pend vraiment des cas ^^ C'est comme avec le reste, au dĂ©but on a besoin de tout construire, de faire beaucoup de croquis, et puis avec le temps et l'habitude, on n'a plus besoin d'autant de repĂšres, voire on n'a mĂȘme plus besoin de croquis pour faire quelque chose de bien :)
Quoi qu'il en soit, je valide ton exo ! âïž
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26/09/2019
- For all the compositions, if you didnât understand the last two, it means I need to improve them ^^!
- Iâm totally on board!! Any tips are welcome!!! Especially for manga :D
- Okay, for now, I donât feel âready enoughâ to use no references at all, but Iâm sure it will come with a lot of practice :)
-Pour toutes les compositions, si vous avez pas compris les deux derniÚres c'est que c'est que je dois amélioer ça ^^!
- Je suis carrément pour!! Tout tips est à prendre!!! Surtout en manga :D
- D'accord, pour l'instant je me sens pas encore "assez prĂȘt" pour n'utiliser aucun repĂšre mais ça viendra certainement avec beaucoup de pratique :)
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05/10/2019
I didnât really enjoy this exercise; I have to admit that Iâm not very enthusiastic about drawing landscapes, and I didnât have anything to say either.
I donât think I did this exercise properly because I have to admit that I didnât visualize anything in my head before reproducing it on the drawing.
I just threw the elements onto the paper and tried to create a setting around them.
Iâm not very creative, and I have a lot of difficulty visualizing the drawing in my mind. And even if I have an idea, I donât know how to represent it because I donât master perspective well enough to describe its content.
So, Iâm moving on to the next lesson because this exercise was really a torment for me.
je ne me suis pas vraiment Ă©clatĂ© avec cet exercice, jâavoue ne pas ĂȘtre emballĂ© par le dessin de paysages, et je nâavais rien non plus Ă raconter.
Je ne pense pas avoir rĂ©aliser cet exercice comme il faut car jâavoue ne pas avoir visionner quoi que ce soit dans ma tĂȘte avant de le reproduire sur le dessin.
Jâai jetĂ© les Ă©lĂ©ments sur le papier et jâai essayĂ© de faire coĂŻncider un dĂ©cor autour.
Je ne suis pas trĂšs crĂ©atif et jâai vraiment beaucoup de difficultĂ© Ă visionner le dessin dans mon esprit. Et puis si il yâa avait une bride dâidĂ©e, je ne sais pas comment la reprĂ©senter car je ne maĂźtrise pas la perspective suffisamment pour dĂ©crire son contenu.
Donc je next au cours suivant car vraiment un calvaire cette exercice pour moi
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13/10/2019
Well, paradoxically, you actually did a great job with this exercise ^^
Your compositions are varied, well-balanced, and consistent :)
This skill will be useful for all your drawings, even those that only feature characters, but you seem to have an intuitive grasp of this, which is a good thing ;p
Eh bien paradoxalement, tu as bien réussi l'exercice ^^
Tes cadrages sont variés, bien équilibrés et cohérents :)
La composition te servira pour tous tes dessins, mĂȘme ceux avec uniquement des personnages, mais tu as l'air de savoir faire ce genre de maniĂšre intuitive, ce qui est un bon point ;p
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06/10/2019
Here is my assignment. :)
Thank you in advance for your feedback.
Voici mon exercice :)
Merci d'avance pour votre retour
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13/10/2019
This is quite unusual, as you arenât using perspective (well, only isometric perspective), which is a bit different.
Youâre almost in the realm of pattern design. If you look closely, all your compositions are centered (even the one in the bottom right; all your important elements are in the center on the same line).
What youâve done works quite well in itself. Even though the elements are sometimes too close together, even though thereâs a lot of space around them.
Try to vary things more and give your main element some breathing room (donât suffocate it by sticking lots of unnecessary elements around it).
Donât hesitate to introduce some perspective as well and play with the planes.
Here, everything is quite flat. We donât have a foreground or a background.
Try the exercise again with the following elements:
> A house
> A character
> A path
> Mountains
You can add other elements if you wish, of course.
C'est assez atypique, car tu n'utilises pas de perspective (enfin une perspective isométrique seulement) ce qui est un peu particulier.
Tu es presque dans le registre du motif. Si tu regardes bien, toutes tes compositions sont centrĂ©es (mĂȘme celle en bas Ă droite, tous tes Ă©lĂ©ments importants sont au centre sur une mĂȘme ligne.
En soi ce que tu as fait fonctionne pas mal. MĂȘme si les Ă©lĂ©ments sont parfois trop serrĂ©s les uns aux autres alors qu'il y a beaucoup d'espace autour.
Essaye de varier davantage les choses et de faire respirer ton élément important (ne l'étouffe pas en collant pleins d'éléments superflus autour).
N'hésite pas à introduire un peu de perspective aussi et de jouer sur les plans.
Ici tout est assez plat. On n'a pas de premier plan ni d'arriĂšre plan.
Retente l'exercice avec les éléments suivants :
> Une maison
> Un personnage
> Un chemin
> Des montagnes
Tu peux ajouter d'autres éléments si tu le souhaites bien entendu ^^
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06/10/2019
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13/10/2019
Much like the artist mentioned above, you donât use perspective at all, or rather, you break the rules of perspective.
A typical example: you place a hill in profile, but the house on top of it is only supported by the front edge; the back is in the air, floating in empty space. Or you have the hill and house in profile, but your other elements are floating in the air.
As with the Breton artist, there is no foreground or background; everything is flat and located at approximately the same level.
Therefore, I suggest you try again with different elements if you wish.
> A character
> A house
> A flat ground
> The house or another character in the foreground
> A forest or a mountain
That should help you a bit.
Good luck! :)
Un peu comme ta comparse juste au-dessus, tu n'utilises pas du tout la perspective voir tu en brises les rĂšgles.
Exemple type : tu places une colline bien de profil, mais la maison placée dessus tient uniquement sur le rebord avant, l'arriÚre est en l'air, dans le vide. Ou bien tu as ta colline et maison bien de profil, mais tes autres éléments flottent dans l'air.
Comme pour la Bretonne, on n'a pas non plus de premier plan ni d'arriĂšre plan, tout est Ă plat, situĂ© Ă peu prĂšs au mĂȘme niveau.
Du coup je te propose de retenter avec d'autres éléments si tu le veux bien ^^
> Un personnage
> Une maison
> Un sol plat
> La maison ou un autre personnage au premier plan
> Une forĂȘt ou une montagne
Ăa devrait t'aider un peu ^^
Bon courage :)
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Nombre de sujet(s) : 1
Nombre de réponse(s) : 81
14/10/2019
Interactions
Nombre de sujet(s) : 1
Nombre de réponse(s) : 81
14/10/2019
Interactions
Nombre de sujet(s) : 3
Nombre de réponse(s) : 2508
20/10/2019
Your second attempt is much better!
This time, you can feel the depth (especially in the second panel).
Iâll show you in an image how it would have been more logical to create these two panels. I think it might help you even more :)
You need to think logically; donât hesitate to look at photos if necessary to reproduce them schematically and see how the landscapes are arranged.
Ton deuxiĂšme essai est beaucoup mieux !
Cette fois on sent de la profondeur (notamment sur la deuxiĂšme vignette).
Je te montre en image comment il aurait Ă©tĂ© plus logique de faire ces deux vignettes, je pense que ça te dĂ©bloquera peut-ĂȘtre encore davantage :)
Il faut que tu réfléchisses de maniÚre logique, n'hésite pas à regarder des photos au besoin pour les reproduire schématiquement et voir comment les paysages sont agencés ^^